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But when he turns up the next day with a bouquet of flowers, she finds herself in the middle of an awkward situation.
Mi-yeon (Moon So-ri, Ha Ha Ha) believes there to be no major problem in her relationship with her husband, the owner of a gas station.
Strong-willed and ambitious, she attracts the notice of a much younger twenty-something colleague Hyeon-seung, and after a night of drinking they end up in bed together.
Slightly embarrassed (but secretly a bit thrilled) to have hooked up with such a younger man, she writes it off as a one night stand.
It is the image of an elderly woman's dialect coming out of the mouth of Shim Eun-gyeong that provides for this film's greatest spectacle.
Non-Korean audiences will still get the joke, and thoroughly enjoy this film.
Among independent films, Han Gong-ju, which premiered at the Busan International Film Festival in October 2013, enjoyed a particularly successful commercial release for a film of its size, after winning a number of high-profile international festival awards.
In May, the Cannes Film Festival played host to three Korean features, none in competition: debut feature A Girl at My Door, produced by Lee Chang-dong, in Un Certain Regard; thriller A Hard Day in Director's Fortnight; and The Target, a remake of the 2009 French thriller Point Blank.
It's then that she comes across a curiously old-fashioned looking photo studio known as "Youth Photo." Charmed by the look of the place, she decides to treat herself to a portrait.Most notably, she still acts and speaks like the 70-year-old woman who stirs up trouble wherever she goes.Miss Granny was Korean cinema's first smash hit of 2014, a film that left audiences roaring with laughter.fter two years in a row of record-breaking totals at the box office, the year 2014 got off to a somewhat slower start.
Apart from the massive hit comedy Miss Granny, there were no true breakout performances among the films released in the first part of the year.But some small part of its charm may remain elusive.